Gamelan Djoged Bungbung
Bungbung Djoged Lisse Bungbung Djoged Lisse
Music recordings made in Bali (Indonesia) by Louis Berthe and Bernard Yzerdraat, in 1961, 1962 and 1963.
- SEAH Identifier
- Item Number (principal identifier)
- Original title
- Vernacular Title
- Date Created
- Place
- Annotated Place
- Population Name (Supplementary Data) /
- Ethnolinguistic Group
- Archivist notes
- Instruments (Original Archival Data)
- Archivist Category/Genre
- Collector
- Archivist Data Set (collection)
- Date Acquired
- Holding Institution of Original Materials
- Licensing Institution
- Points of Access/ Accessing Insitutions
- URL
- Metadata Language
- Primary Source Citation
- Bibliographic reference
- Type of recording
- Digital Format on Omeka
- Time duration
- Comment
- Copyright Information
- Waveform
- Original Physical Format
- Media Type
-
CNRS00823
-
CNRSMH_I_2013_038_001_12
-
Gamelan Djoged Bungbung
-
Bungbung Djoged Lisse
-
1961-1963
-
Indonesia
-
Taman Village, South Bali, near Sanur Coast
-
Balinese
-
Malayo-Polynesian
-
Music recordings made in Bali (Indonesia) by Louis Berthe and Bernard Yzerdraat, in 1961, 1962 and 1963.
-
Djoged bungbung
-
Instrumental music
-
Berthe, Louis
-
Diversité de la musique Balinaise 1961-1963
-
1971
-
Bibliothèque nationale de France, Paris
-
Sound archives of the CNRS - MUSEE DE L'HOMME
-
CREM-LESC (CNRS, Univ. Paris-Nanterre, France)
-
http://archives.crem-cnrs.fr/archives/items/44689/
-
French; English
-
https://archives.crem-cnrs.fr/archives/collections/CNRSMH_I_2013_038/
-
Disque 33rpm :Gamelans de Bali - Musique des dieux, musique des hommes - https://archives.crem-cnrs.fr/archives/collections/CNRSMH_E_1965_007_001/
-
Field recording
-
Wav 48khz-24bit
-
00:02:43
-
The Gamelan Djogéd Bungbung is the orchestra of the most popular dance nowadays: the Fan Dance, or Djogéd. On the village square, in the evening, a kind of open-air stage is set up, veiled by a theater curtain, or formed of a simple screen, behind which the dancers stand before entering the stage. After a musical opening, they appear in turn in front of the screen; the dancer whose turn it is then performs a fairly long solo in the style of the Legong, then moves towards a point in the audience where, still dancing, she touches with her fan the person she has chosen as partner. less good dancers, more or less inventive; this simple entertainment sometimes reaches the art of true ballet, when the dancer falls on an inspired partner, to the delight of the crowd the show can then go on well into the night. The melodic part of the orchestra includes xylophones of bamboo and small headband flutes. This recording was made in Taman, an ancient village in the south, near the coast of Sanur. Louis Berthe, see back of the cover of the disc "Gamelans of Bali - Music of the Gods, music of Men" (CNRSMH_E_1965_007_001_001_07)
-
CC BY-NC-ND 3.0 FR
-
http://archives.crem-cnrs.fr/archives/items/CNRSMH_I_2013_038_001_12/visualize/waveform_centroid/346x130/
-
Magnetic tape; diameter 18cm; speed 19cm/s; Full Track, Mono
-
Audio